Understanding American Culture
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Against the Odds: The Artists of the Harlem Renaissance
(1994)
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ASIN: 0780619072
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Cheers to the research team, who must've gone through months of archival
footage and unearthed some downright amazing footage. Some of the most jaw dropping:
French propaganda depicting an American capitalist foisting Coca Cola on wine
connoisseurs, a South African movie in which black musicians get white policemen tapping
their toes to a peppy rendition of "Don't Fence Me In," and Chicago mayor
Richard Daley's hilarious malapropism: "The policeman isn't there to create
disorder--the policeman is there to preserve disorder." --David Kronke
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Black Like Me
A white reporter takes drugs to darken his skin to find out what it is like to be a black man. He found out. Find out what it is like to walk in someone else's shoes who is considered biologically inferior by dominate groups at a particular timeline in America's history. Very thought provoking and bound for cult classicdom.
VHS VIDEO FORMAT, 1964
ASIN: 6302653215
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The first episode, for instance, begins with the influx of immigrants at the
turn of the century and touches on Jim Crow laws, moving pictures, planes, Henry Ford, the
sinking of the USS Maine, child labor, suffragettes, the Panama Canal, imperialism,
and more, right up to the beginning of World War I. The archival footage is stunning and
interviews with historians, veterans, journalists, POWs, politicians, authors,
celebrities, and common people help bring the past to life again. Mickey Spillane
discusses the speakeasies of the 1920s; Dennis Hopper talks about Easy Rider in the
'60s; Tom Wolfe reads from The Bonfire of the Vanities for the episode on the '80s.
Eudora Welty, E.L. Doctorow, Martin Scorsese, John Updike, Pat Buchanan, Oliver Stone,
Stephen E. Ambrose, among many others, lend their voices to this documentary. Yet, despite
the great names, at times the pictures and people are allowed to speak for themselves,
without intrusive narration--the stark images of the Challenger explosion or the
sad words of a political activist mourning the death of his partner to AIDS are more
powerful because of it. This chronological tale (with the exception of the last episode,
"Then and Now," which is arranged thematically) is an insightful and poignant
reminder of all the marvels--and tragedies--of America in the 20th century. --Jenny
Brown
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Editorial Reviews
Description
"What can we say about Americans from the things they've made? When we
look at them through the lens of their art, what do we see?," host and acclaimed
TIME magazine art critic Robert Hughes asks. This extraordinary series
presents a panoramic view of American history as reflected by artists in every
medium and genre, from "primitive" portraits of the Colonial era to the complex
visions of the present day. Explore the luminous, almost sacred work of
early-American landscape artists. The varied experiences of 19th century America
appear in the paintings of John Singer Sargent, Mary Cassatt and Winslow Homer.
Discover how a uniquely American modernism was forged at the 1913 Armory Show,
and ponder the creative genius that blossomed during the '20s, the Depression
years and the exciting, innovative periods following World War II.
Titles are: "The Republic of Virtue," "The Promised Land," "The Wilderness and the West," "The Gilded Age," "A Wave from the Atlantic," "Streamlines and Breadlines," "The Empire of Signs," and "The Age of Anxiety."
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One of the essential documentary series from 20th-century television, Eyes
on the Prize is an extraordinary, grassroots history of the civil rights
movement in 1950s and '60s America. Leaving punditry and debate to others, this
six-hour program concerns itself with the individuals who were there, who
participated on the front lines, who witnessed and survived to tell about the
crusade's tragedies and victories. Starting with a pair of mid-'50s heroic
actions in the South that helped galvanize black and white activism against
institutional racism (actions that included Rosa Parks's refusal to give up her
bus seat to a white passenger in Montgomery, Alabama), the series winds its way
through the exponential growth of the movement to the passage of the Voting
Rights Act and beyond. The epochal battle between states-rights advocates and
federal authorities is well-covered, as are the many sacrifices made and
enormous risks taken by Mississippi Freedom Riders and advocates of black voter
registration. Also in this boxed set is the series' sequel, Eyes on the Prize
II: America at the Racial Crossroads 1965-mid 1980s. An equally stirring,
eight-hour history of the post-civil-rights years, in which hard-won political
power manifested itself both inside and outside elected government offices, this
follow-up traces the fracturing of a unified civil rights community into
numerous missions and agendas. Driven by interviews and archival footage, the
series takes a clear look at such historical chapters as the rise of black
separatism, the election of Carl Stokes to Cleveland's Office of the Mayor, and
the turmoil of school desegregation. Both the original series and sequel are an
absolute must for a contemporary understanding of racism in America. --Tom
Keogh
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The film's lasting achievement is its interweaving of the two distinct threads of western history--the triumph of westward expansion from the urban areas of the East, and the tragic dispossession of the Native Americans who had populated North America for thousands of years. Where previous historical perspectives tended to emphasize one direction or the other, The West (written by Geoffrey C. Ward and Dayton Duncan) achieves a delicate balance, illustrating how nearly every story of pioneering idealism was countered by incidents of tragic loss and suffering.
Brilliantly narrated by Peter Coyote, the series gains further depth and
authority through interviews with more than 75 historians and experts. Foremost
among them is N. Scott Momaday, scholar, historian, and Kiowa Indian, whose
contribution to the series is deeply affecting. Other experts include historians
Richard White, Patricia Nelson Limerick, and Stephen Ambrose; writers Michael
Dorris and Maxine Hong Kingston; Lakota descendant Charlotte Black Elk;
former Texas governor Ann Richards; and many others. When viewed in its
entirety, this outstanding, truly epic documentary combines all of its separate
episodes to form an emotionally involving narrative of astonishing depth and
unprecedented accuracy. To say that The West is essential viewing
would be an understatement; this film should be considered mandatory to any
balanced awareness of America's turbulent and glorious westward movement. --Jeff
Shannon
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Ken Burns' America
America Giftset (1996)
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Rated: NR
Director: Ken Burns
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Number of tapes: 7
ASIN: 6304048785
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Necessity, as the saying goes, is the mother of invention, and at no
point has a clichι been so prescient as in the 1930s. During that era, Franklin
Delano Roosevelt's New Deal took documentation to new heights in U.S. history,
turning artists and artisans into government-sponsored vehicles for reportage
and representation of both American ideals and the harsher set of realities
citizens were dealing with. And this four-volume set, narrated by the instantly
recognizable Mario Cuomo, leverages many of the Great Depression's own
media-savvy documentary advances to tell the period's varied stories. Volume 1
covers the pre-New Deal era, as desperation hit farm hands and businesses and
bank patrons, bringing the U.S. economy to its knees. Latter-day celebs chime in
on the period, with James Michener's tales of his own rail-riding striking
powerful bolts through the episode. Volume 2 spotlights the spotlight, the way
mass media developed around themes of escape and promised lands--some rising
from earlier historical eras--that somehow managed to both cornerstone pop
culture and elude the vast majority of radio listeners and filmgoers.
Here is the place where the era's media is so integral to this set, offering
that great historical lifeblood: primary documents. Of course, not everyone
bought the media meal, and the theme for Volume 3 is popular resistance. From
the riots that infamously bookended the Harlem Renaissance to bank robber Pretty
Boy Floyd, discontent was grounds for wide upheaval. Of great interest here is
the worker-led organizing that so clearly lies in the vanguard of contemporary
labor history. Finally, Volume 4, "Desperate Measures" centers on a
trio of events: the "Battle of Washington," where President Herbert
Hoover ordered the vaunted Douglas MacArthur to forcibly remove World War I
veterans who had marched on the capital; the rise of Louisiana's firebrand
populist Huey Long into the state governor's mansion; and the onset of World War
II. By far the most comprehensive treatment of the period, this set is also
exhaustively long, making it a delight for patient viewers--and educators. It's
also painstakingly organized and produced and warrants repeated viewings. --Andrew
Bartlett
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Thomas Jefferson: A Film by Ken Burns (1996)
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Number of tapes: 2
ASIN: 630428957X
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essential video
Director Barbara Kopple's Oscar-winning rendering of a crippling strike
at a Minnesota meat-packing plant may look dated, but the underlying theme of
individuals crushed by big business remains all too timely. Using a briskly
engrossing combination of first-person interviews, news broadcasts, and
fly-on-the-wall encounters, Kopple creates an indelible document of a
community's dissolution at the hands of larger forces. (The film is clearly on
the side of the workers, but at the same time it refuses to ignore the petty
infighting that eventually helped contribute to their ruin.) An alternately
depressing, uplifting, and often profanely funny film that, at times, echoes
Michael Moore's Roger and Me , but without that movie's distancing smarm.
A movie's title has never seemed quite so bitterly apt. The director, who had
previously won an Oscar for the equally arresting Harlan County USA,
would later go on to document yet another traumatic event with Woody Allen's Wild
Man Blues. --Andrew Wright
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The roller coaster ride of the Jazz Age jumped the tracks with the
stock market crash of October 24, 1929. Panic ensued and millions around the
world lost their jobs. In this often-wrenching episode of the Emmy Award-winning
People's Century series, eyewitnesses recall the desperation of the Great
Depression.
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These four hopefuls are plucked from their homes and families and thrust into an adult world with little guidance. They are sent to various international markets to establish themselves, where they are expected to navigate strange cities completely on their own. Agencies make it painstakingly clear the girls must take full responsibility for their potential success. Balanced with interviews with established models such as Lauren Hutton, Elle MacPherson, and Claudi Schiffer, BEAUTOPIA contrasts the sobering reality of the business of beauty with its false promises, competition and rejection to the fairy tales images in the young models' heads.
Otto examines the modeling world from the inside, gaining entry to the most private situations: from agents discussing models traits on a go-see to a fitting for a Paris runway show. The glamour the public sees on the printed page is a far cry from life behind the scenes. Otto has crafted a suspenseful journey of lost innocence, filled with hope and anguish. Where Unzipped led us behind the curtain of the fashion industry, BEAUTOPIA gets beneath the perfect skin of the modeling world.
From
the Director
Official Selection of the Sundance Film Festival, Documentary
Competition. Winner of the Silver Hugo Award from the Chicago Film Festival.
Screened at the Tel Aviv Documentary Film Festival and the Hot Springs
Documentary Film Festival. It premiered theatrically in January 1999, and was
chosen by the Sundance Channel as one of their favorite documentaries.
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Century of Women, A - Image and
Popular Culture (1994)
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The most successful public-television miniseries in American history,
the 11-hour Civil War didn't just captivate a nation, reteaching to us
our history in narrative terms; it actually also invented a new film language
taken from its creator. When people describe documentaries using the "Ken
Burns approach," its style is understood: voice-over narrators reading
letters and documents dramatically and stating the writer's name at their
conclusion, fresh live footage of places juxtaposed with still images
(photographs, paintings, maps, prints), anecdotal interviews, and romantic
musical scores taken from the era he depicts. The Civil War uses all of
these devices to evoke atmosphere and resurrect an event that many knew only
from stale history books. While Burns is a historian, a researcher, and a
documentarian, he's above all a gifted storyteller, and it's his narrative
powers that give this chronicle its beauty, overwhelming emotion, and
devastating horror. Using the words of old letters, eloquently read by a variety
of celebrities, the stories of historians like Shelby Foote and rare, stained
photos, Burns allows us not only to relearn and finally understand our history,
but also to feel and experience it. --Dave McCoy
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ASIN: 1578482003
The Matinee
Idol (1928) / Frank Capra's American Dream (1997)
(1928)
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Native Americans, The - Collector's Boxed Set
(1994)
Once Upon a Time... When We Were
Colored (1996)
Editorial Reviews
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It may look like a grab bag at first--50 preserved films from 18
American archives spanning the years 1893 to 1985 and encompassing everything
from documentaries and home movies to experimental films and animation--but this
unprecedented collection has a clear focus. It celebrates the scope and wealth
of cinema history's "orphans," the films abandoned by the marketplace and left
to nonprofit organizations to rescue. This is the proof of their efforts, and
only a tiny, tantalizing example of what has been preserved. The "stars" of the
set are the features: the startlingly savage 1916 William S. Hart Western
Hell's Hinges and the luscious 1922 two-strip Technicolor feature The
Toll of the Sea (the first color feature ever made) with Anna May Wong. Also
included are The Chechahcos from 1924 (the first film ever shot in
Alaska) and the extravagant (if stagy) original 1916 Snow White. John
Huston's stunning documentary The Battle of San Pietro and Joseph
Cornell's obscure but entrancing 1936 surrealist classic Rose Hobart are
further highlights.
But there are wonders to be found throughout the collection, from a trip through Interior New York Subway circa 1905, to the gorgeous avant-garde 1928 The Fall of the House of Usher, to the only film of Orson Welles's legendary 1936 Haiti-set stage production of Macbeth in the 1937 documentary We Work Again. The breadth of work is astounding and all of it is fascinating, whether it's a revealing glimpse of a forgotten social landscape in a home movie; the preservation of theater, dance, and concert recitals in one-of-a-kind records; or an ancient work of pioneering cinema.
The four-disc set is handsomely designed, with easy-to-navigate menus featuring extensive notes and short documentaries about each archive (narrated by Laurence Fishburne), and a detailed, informative 150-page booklet accompanies the set. It's a one-of-a-kind project and a true film treasure. --Sean Axmaker
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